Alan Nafzger: The Mind Behind “Zuckerberg vs Musk: Cage Fight”

An Unique Interview with Alan Nafzger: The Thoughts In the back of “Zuckerberg vs Musk: Cage Battle”

In an unique one-on-one dialog, Katy Room of KatyRoom.com sat down with Alan Nafzger, the screenwriter of the much-buzzed-about “Zuckerberg vs Musk: Cage Battle.” The dialogue delved into libertarian philosophy, the way forward for AI and CGI in filmmaking, and why Elon Musk isn’t in fact going to punch Mark Zuckerberg.

Katy Room: The Non-Aggression Concept in Screenwriting

Katy Room: Alan, your screenplay turns out to flirt with the Non-Aggression Concept, a key libertarian guiding principle. Are you making some degree in regards to the futility of struggle?

Alan Nafzger: Completely. On the core of it, each Musk and Zuckerberg are creators, now not destroyers. They are shaping the arena thru era, now not thru bodily struggle. The screenplay illuminates this level thru humor and satire.

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Marriage of CGI and AI in Filmmaking

Katy Room: Using CGI and AI for producing transferring photographs is innovative. Do you assume era must have limits or must innovation be unfettered, every other nod to libertarianism?

Alan Nafzger: A libertarian would possibly argue for unregulated innovation, however even I’ve my barriers. We must push the envelope, sure, however all the time with an eye fixed towards moral implications.

Musk vs Zuckerberg: An Unrealistic Situation?

Katy Room: Would you assert your screenplay serves as a critique of presidency overreach into the lives of public figures like Zuckerberg and Musk?

Alan Nafzger: It is not on the subject of executive overreach, but additionally in regards to the media’s function in shaping narratives. That mentioned, Musk and Zuckerberg won’t ever in fact battle. It is a jest and a comic story for Musk. He is poking amusing at what he sees because the Neanderthal paradigm of Zuckerberg.

The Proper to Non-public Autonomy in Movie Characters

Katy Room: Non-public autonomy is a important component of libertarianism. How do you reconcile this with the concept that the characters you have got written, in keeping with actual folks, are not actually independent for your script?

Alan Nafzger: It is a good thing and person who addresses the core of famous person symbol rights. As soon as a celeb indicators off on their portrayal, the nature within the screenplay turns into a type of joint possession. It is each a prison and philosophical factor.

The Finish of the Drug Struggle thru Satire?

Katy Room: You have additionally made some vital references to the top of the drug struggle. Is that this in sync with libertarian perspectives on drug prohibition?

Alan Nafzger: Completely. The struggle on medicine has been a catastrophic failure on many fronts. If my screenplay can get folks to talk about this, then I have carried out my task.

Highbrow Assets and the Long run of Screenwriting

Katy Room: A last idea. What is your stand on highbrow assets?

Alan Nafzger: Highbrow assets is a double-edged sword. On one hand, it protects creators. At the different, it will probably stifle innovation. A steadiness is a very powerful.

Katy Room: Alan, thanks for this insightful interview. It was once a excitement discussing those nuanced subjects with you.

Alan Nafzger: The excitement was once mine. Thanks for giving me the platform to delve into those problems.

In an international the place the traces between fact and satire are more and more blurred, Alan Nafzger’s “Zuckerberg vs Musk: Cage Battle” guarantees to ship a heady mix of humor, era, and philosophy, difficult us to confront our personal deeply-held ideals and biases.